By 1942 London was exhausted and ravaged by war. Her beautiful things – the art and sculpture – had been buried for safekeeping in the Welsh slate mines. But a pleading letter to the Times asked for some of these treasures to return.
“Because London’s face is scarred and bruised these days, we need more than ever to see beautiful things.”
Kenneth Clark (OW), then Director of the National Gallery, conceived the idea of bringing back one picture each month. A public poll chose this as the painting Londoners most wanted to see. The painting dates from around 1514, and is by the 19 year old Tiziano Vecellio, known to us as Titian. It is entitled ‘Noli me Tangere’ – ‘Do not touch me’.
The scene is that which comes at the end of this holiest of weeks for Christians. It is Easter morning; the Day of Resurrection. Mary Magdalene, weeping outside Jesus’ empty tomb, sees a man she mistakes to be the gardener. “Woman, why are you weeping?” he asks, “For whom are you looking?” She replies, “Sir, if you have carried him away, tell me where you have laid him, and I will take him away.” The man says, “Mary!”. Suddenly, she recognises Jesus. “Do not hold on to me (noli me tangere),” he says, “because I have not yet ascended to the Father.”
This week that leads up to that moment is called Holy Week. It sees some extreme social distancing, isolation, and eventually lockdown. On Palm Sunday the crowds throng around Jesus and welcome him into Jerusalem in triumph. Within a few days they will want his blood. The disciples betray and deny him as the week progresses, and then flee altogether. Jesus is left increasingly alone until, finally, there is only the utter solitude of the tomb.
What keeps us going in this week is that moment in Titian’s painting. Resurrection. The journey from death to life is necessary. Jesus sacrifices precious relationships in order that even richer relationships can abound. A new community will be forged on Easter Day with bonds of love that death cannot touch.
We are all being asked to sacrifice relationships and bidden: ‘Do not touch!’. Painful as this is, accompanied as it is by the grim daily roll call of death, we are laying aside, for the short-term, being with others, for the long-term wellbeing of us all. We yearn for a return to normal, but that cannot be. Indeed, it should not be. For if we are unchanged by this crisis, we will have been defeated by it.
Resurrection is not a restoration of an old way of life, it is nothing less than a New Creation. The enormity of that is what has dawned on Mary at the very moment of this painting. Her hand reaches out to touch, but stops at the last moment. She wants to touch, to hold on to what was so familiar and dear to her, but she realises that a body which can be held can only be taken away again. This resurrected Jesus can never be taken away.
We can only guess what this painting meant to war-torn Londoners. It must have been close to the truth that Titian was trying to express: The assurance of a love so strong that it can survive death.
24th January 2021
The Head of College explains why, despite being an ineffective player himself, he is an ardent fan of Winkies for the team spirit it builds and the traditions it upholds.
19th January 2021
Starting the spring term, known as Common Time, in the UK's third national lockdown, one of Winchester's Head Boys encourages the whole school community to keep mentally healthy by setting personal goals, remaining physically active, and participating in the challenges and inter-house competitions being set by senior pupils this term to keep up morale.
8th December 2020
The Winchester College community continues to respond to the challenges posed by the pandemic, and has received recognition for its efforts.
19th November 2020
An active participant in the school's Community Service outreach programme and A-Level art student, Felix, wanted to use his skills to support the local homeless shelter at this very difficult time for charities.
16th October 2020
'A Winter's Night' is a wonderful collection of Christmas classics and choral music from Winchester's Chapel Choir. Released on Signum records on 16 October 2020.
7th September 2020
In the first of a series of insights into school life during this unique time, we hear from Ben Wen who recently joined the school as a JP in Furley's, spending the past two weeks with his brother in quarantine. Ben looks back at his first impressions of boarding life.