It was brash. It was bawdy. It was bold. It was utterly Winchester and so very Phil’s.
Theatre in Winchester is a tough (but hugely exciting and rewarding) business. Not only do you have to coordinate dozens upon dozens of hours of rehearsals with tens of people who all have about a thousand other commitments but you also have to organise lighting, make-up, the stage, front of house and then come up with a vision for the play itself. But The Producers isn’t only a play; it’s a musical. It’s not only a musical; it’s an absolutely hilarious farce. Phil’s achieved this unthinkable feat for their house play under the guidance of Matthew Given and Mrs Webster spectacularly.
It was the indomitable spirit of Wykehamists that we witnessed in the theatre those two nights. The ability to be able to sing at the top of your lungs in front of two hundred people packed into QE2, while you know that you are tone-deaf, is an impressive one: Max Dolan (the loveable, mild-mannered, crowd-pleaser Leo Bloom) and Tom Brown (the cutthroat, washed-up Max Bialystock) certainly did this. They had brilliant chemistry and great comic timing and it was a pleasure to watch them act.
Leaving the theatre I heard people say that it was the best house play they thought they would ever see at Winchester College. Who knows what we will see in the years to come, but I do know that the image of Matthew Given (as the absolutely fabulous Roger de Bris) standing atop a glittering silver staircase, lit with multicolour spotlights and a chorus line waiting for him as he transformed Adolf Hitler into a camp, jazzy, satirical artiste will not leave my mind any time in the near future.
It goes to show that Wykehamists are capable of acting both the greatest modern tragedies of Arthur Miller and letting go of all of their shame and reservation and producing the likes of The Producers, which certainly was one of the masterpieces we have seen in QE2 this year.
The Producers is the story of how a beaten-down Broadway Producer concocts an illegal scheme with his mousy accountant to make the biggest Broadway flop ever, complete with the worst script (Springtime For Hitler – that was never going to turn out good was it?), the worst actors and the most ludicrously airy-fairy director.
Unfortunately for them, the play, due to an incredibly bizarre turn of events, becomes an instant hit and they end up in jail after being caught by the IRS. It is an unending satire and beautiful homage to the golden days of American Broadway.
23rd November 2020
This year’s Recita was a blended affair with some of the performers reciting remotely. Nevertheless, the socially-distanced audience enjoyed a wonderful evening of stunning poetry, which ranged from the comic to the musical to the profound.
22nd November 2020
The Royal Navy section of the CCF marked Trafalgar Day 2020 by collectively sending the message: England expects that every man will do his duty.
8th November 2020
A wintry Winchester was the perfect location for the boys' first introduction to bushcraft and survival skills.
22nd October 2020
The results are in. The unison house singing competition, known as Bobber Pot, was as hotly contested as ever.
20th October 2020
In the final instalment of our focus on Wordsworth, in this 250th anniversary year of his birth, we reveal a previously undiscovered treasure within the school's collection.
13th October 2020
The texts pupils study in Div, English and other lessons provide springboards for discussion about a range of topics. Ensuring there is content that is both diverse and international in outlook encourages depth of study and understanding.