It was brash. It was bawdy. It was bold. It was utterly Winchester and so very Phil’s.
Theatre in Winchester is a tough (but hugely exciting and rewarding) business. Not only do you have to coordinate dozens upon dozens of hours of rehearsals with tens of people who all have about a thousand other commitments but you also have to organise lighting, make-up, the stage, front of house and then come up with a vision for the play itself. But The Producers isn’t only a play; it’s a musical. It’s not only a musical; it’s an absolutely hilarious farce. Phil’s achieved this unthinkable feat for their house play under the guidance of Matthew Given and Mrs Webster spectacularly.
It was the indomitable spirit of Wykehamists that we witnessed in the theatre those two nights. The ability to be able to sing at the top of your lungs in front of two hundred people packed into QE2, while you know that you are tone-deaf, is an impressive one: Max Dolan (the loveable, mild-mannered, crowd-pleaser Leo Bloom) and Tom Brown (the cutthroat, washed-up Max Bialystock) certainly did this. They had brilliant chemistry and great comic timing and it was a pleasure to watch them act.
Leaving the theatre I heard people say that it was the best house play they thought they would ever see at Winchester College. Who knows what we will see in the years to come, but I do know that the image of Matthew Given (as the absolutely fabulous Roger de Bris) standing atop a glittering silver staircase, lit with multicolour spotlights and a chorus line waiting for him as he transformed Adolf Hitler into a camp, jazzy, satirical artiste will not leave my mind any time in the near future.
It goes to show that Wykehamists are capable of acting both the greatest modern tragedies of Arthur Miller and letting go of all of their shame and reservation and producing the likes of The Producers, which certainly was one of the masterpieces we have seen in QE2 this year.
The Producers is the story of how a beaten-down Broadway Producer concocts an illegal scheme with his mousy accountant to make the biggest Broadway flop ever, complete with the worst script (Springtime For Hitler – that was never going to turn out good was it?), the worst actors and the most ludicrously airy-fairy director.
Unfortunately for them, the play, due to an incredibly bizarre turn of events, becomes an instant hit and they end up in jail after being caught by the IRS. It is an unending satire and beautiful homage to the golden days of American Broadway.
26th June 2020
There is always something to celebrate at Winchester College and the last couple of years have been particularly full of significant anniversaries - the opening of the boarding houses and the conversion of Commoners into classrooms - and this summer sees the 150th anniversary of the opening of Moberly Library.
19th June 2020
The Art Exhibition is one of the highlights of Winchester Match. Here we look back at some of the best work from recent years.
8th June 2020
English don, Richard Stillman reflects on the protests sweeping the United States and United Kingdom, what we might do to educate ourselves, and how this might help make a difference.
1st June 2020
In our latest Thought for the Week, Dr Jamie Barron notes that the COVID-19 crisis has brought scientists into the spotlight, but that science by its nature sits uncomfortably with the world of the sound-bite.
31st May 2020
The inaugural PixPot was launched in April, alongside a photography competition open to the whole school community. The Winchester College Photography Society, which is run entirely by pupils at the school, oversaw the competition: securing the involvement of professional judges, drawing up a shortlist, and organising prizes.
22nd May 2020
How to teach and pursue practical subjects from home has been a learning curve but Head of Art, Michael Bruzon, explains that pupils have risen to the challenge, adapted quickly and produced engaging work, some of which is showcased here.